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X-WR-CALNAME:Deen Arts Foundation
X-ORIGINAL-URL:https://deenartsfoundation.org
X-WR-CALDESC:Events for Deen Arts Foundation
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TZID:Europe/Moscow
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DTSTART:20240101T000000
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TZID:UTC
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DTSTART:20230101T000000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Moscow:20240108T100000
DTEND;TZID=Europe/Moscow:20240118T130000
DTSTAMP:20260428T234234
CREATED:20231119T124520Z
LAST-MODIFIED:20240106T074321Z
UID:1986-1704708000-1705582800@deenartsfoundation.org
SUMMARY:Arabic Calligraphy in the Chinese Style In-person Workshop - Dallas
DESCRIPTION:[vc_row][vc_column]Arabic Calligraphy in the Chinese Style Program I - Dallas4 Days\, 2 Tracks | January 8-11 \n[/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_column_text]The Dallas Arabic Calligraphy in the Chinese Style Program is an initiative divided into two four-day sessions over two weeks. Participants will have the unique opportunity to delve into the intricacies of these scripts under the guidance of globally recognized master calligrapher Haji Noor Deen who will be presenting as the facilitator and scholar. \nMorning Track\, \,taking place from January 8-11\, 2024. The track runs from 10 am to 1 pm. This is followed by Week 2 which takes place from January 15-18\, 2024. \nEvening Track \, taking place from January 8-11\, 2024. The track runs from 6 pm to 9 pm. This is followed by Week 2 which takes place from January 15-18\, 2024. \nParticipants in both programs will have the unique opportunity to delve into the intricacies of Arabic Calligraphy in the Chinese Style under the expert guidance of Haji Noor Deen.[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””][vc_column_text] \nRegistration Details:\nRegister for the Dallas Arabic Calligraphy in Chinese Style Program to cover program fees\, ensuring an immersive experience in exploring the unique intersection of Arabic and Chinese calligraphic traditions. Under the guidance of Haji Noor Deen\, participants will witness the convergence of two distinct cultures\, resulting in a vibrant and expressive form of artistic communication.[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””][/vc_column][vc_column width=”1/2″][vc_single_image image=”2111″ img_size=”750×750″ alignment=”right”][vc_empty_space hide_on_mobile=””][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_column_text] \n\n\nMorning Track\nDuration: Jan 8-11 & 15-18\nTime: 10am-1pm\nInstructor: Haji Noor Deen \n\n\n\n\n\n\n[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””][vc_column_text] \nLocation:\nIslamic Association of Collin County\n6401 Independence Pkwy\, Plano\, TX 75023[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””]REGISTER[/vc_column][vc_column width=”1/2″][vc_column_text] \nEvening Track\nDuration: Jan 8-11& 15-18\nTime: 6-9pm\nInstructor: Haji Noor Deen \n\n\n\n\n\n  \n\n\n[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””][vc_column_text] \nLocation:\nIslamic Association of Collin County\n6401 Independence Pkwy\, Plano\, TX 75023[/vc_column_text][vc_empty_space height=”16px” alter_height=”small” hide_on_mobile=””]REGISTER[/vc_column][/vc_row][vc_row][vc_column][vc_empty_space alter_height=”small” hide_on_mobile=””][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”1996″ img_size=”full” add_caption=”yes” alignment=”right”][/vc_column][vc_column width=”1/2″][vc_single_image image=”1997″ img_size=”full” add_caption=”yes” alignment=”right”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space alter_height=”small” hide_on_mobile=””][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_message message_box_style=”3d” message_box_color=”success” icon_fontawesome=”fas fa-check-circle” closeable=””]Significant Themes[/vc_message][vc_column_text]► Cultural Fusion through Calligraphy: Delve into the harmonious synthesis of Arabic and Chinese artistic traditions\, exploring the unique elements that define the Chinese-style approach to Arabic Calligraphy. \n► Philosophical Dimensions: Understand the philosophical underpinnings of this cross-cultural artistic expression\, recognizing the shared values that transcend geographical and cultural boundaries[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_message message_box_style=”3d” message_box_color=”success” icon_fontawesome=”fas fa-check-circle” closeable=””]Contextualizing Chinese-Arabic Calligraphy[/vc_message][vc_column_text]► Appreciate the fusion of two rich artistic heritages\, examining historical and contemporary texts that showcase the evolution of Arabic Calligraphy within the Chinese context.  \n► Gain insights into the intentions behind this cultural convergence and its broader impact on the calligraphic landscape.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space alter_height=”small” hide_on_mobile=””][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_column_text] \nABOUT OUR INSTRUCTOR\nHaji Noor Deen \nHaji Noor Deen is a renowned master of Arabic calligraphy. He was born in Yucheng\, in the Shandong Province of China\, in 1963. In 1997\, he became the first individual from China to be awarded the Certificate of Arabic Calligrapher in Egypt after studying the calligraphic arts there for over ten years. \nIn 2017\, after a period of study in Istanbul with Ottoman calligraphic master Hasan Celebi\, Haji Noor Deen was honored with an Ijazah in the Ottoman Arabic Thuluth and Nasikh scripts\, again becoming the first-ever Chinese person to do so. \nHis work focuses on writing Arabic using a combination of traditional Chinese calligraphic tools and techniques to fuse the Chinese and Arabic visual arts uniquely. Haji Noor Deen is also responsible for the formal codification of the ancient Arabic writing system in the Chinese tradition. \nIn 2019 for the first time in China\, he honored 30 students with an Ijaza in Arabic Calligraphy in the Chinese style. \nHis work has been displayed in galleries and museums worldwide\, including the British Museum\, the Asian Art Museum of San Francisco\, the National Museum of Scotland\, and the Center for Government and International Studies (CGIS) at Harvard University. \nHe was also awarded the Dubai Islamic Economy Development Center 2016 Islamic Economy Award in the category of Islamic Arts. \n[/vc_column_text][/vc_column][vc_column width=”1/3″]\n    \n        \n										\n					        Thuluth & Naskh Scripts Arabic Calligraphy in the Chinese Style\n        \n	\n		\n			Haji Noor Deen\n		\n	\n\nREGISTER[/vc_column][/vc_row][vc_row][vc_column][vc_empty_space alter_height=”small” hide_on_mobile=””]Frequently Asked Questions[vc_toggle title=”How can I register for the Dallas Thuluth & Naskh Program?” style=”round” color=”turquoise” size=”sm” open=”true”]Registration can be completed online through the official event website. Simply follow the provided instructions and fill out the registration form. Payment details and options will be available during the registration process.[/vc_toggle][vc_toggle title=”What is the cost of registration\, and what does it cover?” style=”round” color=”turquoise” size=”sm” open=”true”]The registration fee covers the program fees\, granting participants access to all sessions and materials facilitated by Haji Noor Deen. It ensures a comprehensive engagement in the intellectual journey of Arabic Calligraphy.[/vc_toggle][vc_toggle title=”Where will the program be held?” style=”round” color=”turquoise” size=”sm” open=”true”]The program will take place at two locations: MAS-Center in the morning and Dallas Diyanet Mosque in the evening. Make sure to check the schedule and venue details for each track.[/vc_toggle][vc_toggle title=”Is there any prerequisite knowledge or experience required to attend the program?” style=”round” color=”turquoise” size=”sm” open=”true”]The Dallas Thuluth & Naskh Program is open to individuals of all skill levels\, from beginners to advanced practitioners. No prior experience in Arabic Calligraphy is necessary.[/vc_toggle][vc_toggle title=”Will materials and tools be provided\, or should participants bring their own?” style=”round” color=”turquoise” size=”sm” open=”true”]And in terms of materials\, they can purchase a complete set for $30 the first day of class in class. All necessary materials and tools for the program will be provided. Participants are not required to bring their own calligraphy supplies.[/vc_toggle][vc_toggle title=”How can I contact the organizers for additional information or assistance?” style=”round” color=”turquoise” size=”sm” open=”true”]For any inquiries or assistance\, you can contact the event organizers through the contact information provided on the official event website. Whether you have questions about logistics\, registration\, or program details\, the organizers are there to help.[/vc_toggle][/vc_column][/vc_row]
URL:https://deenartsfoundation.org/program/arabic-calligraphy-in-the-chinese-style-programs-dallas/
CATEGORIES:Events
ORGANIZER;CN=".Deen Arts Foundation":MAILTO:students@deenartsfoundation.org
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BEGIN:VEVENT
DTSTART;TZID=UTC:20231026T104100
DTEND;TZID=UTC:20231026T104100
DTSTAMP:20260428T234234
CREATED:20170309T063524Z
LAST-MODIFIED:20231026T105307Z
UID:268-1698316860-1698316860@deenartsfoundation.org
SUMMARY:Istanbul Summer Intensive Programme
DESCRIPTION:[vc_row][vc_column][vc_column_text]Become familiar with the distinguished architecture of Istanbul and Mimar Sinan and its distinct geometric patterns. Prominent infrastructures include the Şehzade Mosque\, Süleymaniye Mosque\, the Rüstem Pasha Mosque\, and Mihrimah Sultan Mosque\, among others.  \nA significant feature of the program deals with the history and architectural structure features along with on-site visits to other famous geometric artistry. The structure of carefully selected complex geometric patterns\, such as stone pulpits\, ceilings\, and kündekari doors\, will be presented. These will be analyzed to be drawn by students under the guidance and unique approaches of Serap Ekizler Sönmez.  \nA holistic and in-depth method of observing patterns will be built with traditional methods along with a compass and ruler construction to gain different perspectives.  \nMaterials: all materials are included in the[/vc_column_text][vc_empty_space height=”128px” alter_height=”small” hide_on_mobile=””][vc_column_text] \n\n\n\nDAYS\nPROGRAMME\nNOTES\n\n\nDAY1 \n15.07.2022 \nFRIDAY\nARRIVAL of participants\nSightseeing and resting in the hotel vicinity – Üsküdar\n\n\nDAY 2 \n16.07.2022  \nSATURDAY\nARRIVAL of participants \n  \nFREE DAY\n\n\n\nDAY 3 \n17.07.2022 \nSUNDAY\nİSTANBUL TRIP\n\n\nTopkapi Palace\nHagia Sophia\nSultanahmet Mosque\n\n\n\n\nDAY 4 \n18.07.2022 \nMONDAY\nWorkshop \nField Trip:  \n\nMihrimah Sultan\nValide Sultan\n\n\n\n\nAnalysis of the design of the Blue Mosque courtyard floor: basic designs and drawings associated with it. \n\n\n\n\nDAY 5 \n19.07.2022 \nTUESDAY\nWorkshop \nField Trip: \n\nRüstem Pasha Mosque\nFree time for the Egyptian market and its surroundings\n\n\n\n\nDrawing the more intricate Hagia Sophia Minbar pattern with ruler and compass construction. \n\n\n\n\nDAY 6 \n20.07.2022 \nWEDNESDAY\nWorkshop \nField Trip: \n– Valide-i Atik Mosque\n\n\nA different perspective on the Hagia Sophia pulpit pattern. \nNew designs through part typology. The workshop will be held in the courtyard of Valide-i Atik Mosque\, pending weather. \n\n\n\n\nDAY 7 \n21.07.2022 \nTHURSDAY\nWorkshop \nField Trip: \n\nSüleymaniye Mosque\n\n\n\n\n\, The more complex five-fold pattern on the Şehzade Mosque’s pulpit\, will be drawn in situ. \nThe relationship with the other five-fold designs will be explained\, and its connection with the Valide-i Atik pulpit pattern will be revealed. \nAttention will be drawn to the pulpit pattern with rotational symmetry and the podium applied with translational symmetry.\n\n\n\n\nDAY 8 \n22.07.2022 \nFRIDAY\nWorkshop \nNo field trip as the following day is a trip to Bursa \nNote: It is strongly recommended to have plenty of rest after our workshop as there is a very early start for the Bursa trip.\n\n\nAn analysis of the design known as “the king of patterns” will be made between the sermon platform and the five-fold patterns in the Süleymaniye Mosque\nThe principle of spreading as a surface coating will be explained. The workshop will be longer than expected. \nA presentation will be made about the early Ottoman structures and the architecture of Classical period structures that we will see on the Bursa tour. The features that distinguish these structures from other geographies will be explained.     \n\n\n\n\nDAY 9 \n23.07.2022 \nSATURDAY\nBURSA TRIP\n\n\n\nDAY 10 \n24.07.2022 \nSUNDAY\nFREE DAY\n\n\n\nDAY 11 \n25.07.2022 \nMONDAY\nWorkshop \nField Trip: \n– Turkish-Islamic Art Museum.\n\n\nThe basic four-fold pattern found in the Şehzade Mosque will be drawn\, and its features will be explained. \nThrough presenting a good example of the same pattern from Bursa Yeşil Mosque\, it will emphasize how the difference in material directs the aesthetic perception. \n\n\n\n\nDAY 12 \n26.07.2022 \nTUESDAY\nWorkshop \nField Trip: \n– Beylerbeyi Palace\n\n\nBeylerbeyi Palace: late Ottoman architecture will be compared with the early period. \nThe workshop will take place in the palace garden pending weather. \nThe basic three-fold patterns at the entrance of Bursa Hüdavendigar Mosque will be observed and related designs will be drawn with a holistic approach. \nThe relationship of the building with the design drawn on 18.07.2022 will be shown. \nThe six-pointed star and its symbolic meanings will be emphasized.\n\n\n\n\nDAY 13 \n27.07.2022 \nWEDNESDAY\nWorkshop \nField Trip: \n– Marmara Theology Mosque\n\n\nMarmara Theology Mosque is an excellent example of the use of geometric patterns in modern buildings. The workshop will be held here and a pattern that has been applied in its structure will be chosen.\nA presentation will be made by the mosque’s architect. \n\n\n\n\nDAY 14 \n28.07.2022 \nTHURSDAY\nWorkshop \nField Trip: \n– Dolmabahçe Palace\n\n\nIt will highlight the design discussed the previous day is one of the most popular designs in Classical Ottoman Mosques: it will be drawn with ruler-compass construction with in-depth explanation of its structure\nDolmabahçe Palace: review the difference between the Palace Mosque and the Classical period mosques.\n\n\n\n\nDAY 15 \n29.07.2022 \nFRIDAY\nWorkshop \nField Trip\n\n\nThe four-fold patterns in the visited structures will be handled holistically.\nIn particular\, the design on the pulpit ceiling of the Süleymaniye Mosque will be taught\nThe swastika designs\, which are also very popular in Islamic architecture will be emphasized: their symbolic meanings will be explained.\n\n\n\n\nDAY 16 \n30.07.2022 \nSATURDAY\nDEPARTURE of participants\n\n\n\n\n[/vc_column_text][/vc_column][/vc_row]
URL:https://deenartsfoundation.org/program/istanbul-summer-intensive-programme/
LOCATION:İstanbul\, İstanbul\, İstanbul\, Turkey
CATEGORIES:Tours
ATTACH;FMTTYPE=image/webp:https://deenartsfoundation.org/wp-content/uploads/2023/10/deen-arts-foundation-1.webp
ORGANIZER;CN="Deen Arts Foundation":MAILTO:intensives@deenartsfoundation.org
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